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The Shelter Drawings 1940-1941

A drawing of four adults and a small child huddled together under blankets. The figures are primarily drawn in white and yellow chalk, with some orange and red highlights, and are surrounded by darkness.

Press release

A significant exhibition of Henry Moore’s Shelter Drawings will open on 1 April 2026 in the newly redeveloped Sheep Field Barn at Henry Moore Studios & Gardens in Perry Green, Hertfordshire, marking the reopening of the building following a major transformation.

Created during the Second World War, Moore’s Shelter Drawings are among the most powerful and widely recognised works of his career. They form a distinct and self-contained body of work within his practice, set apart not only from his activity as a sculptor but also from the wider output of his drawings and prints. Developed over a relatively short but exceptionally intense period, from 1940 to the summer of 1941, this concentrated burst of activity resulted in more than 300 drawings, 30 of which are on display in this exhibition, accompanied by material from the Henry Moore Archive.

Produced while Moore observed Londoners taking refuge in Underground stations during the Blitz, the drawings capture moments of collective vulnerability, endurance, and quiet solidarity. They played a crucial role in establishing Moore’s national and international reputation and remain central to understanding his artistic response to conflict and humanity.

Moore reflected on the significance of the Shelter Drawings, saying:

“Certainly, the shelter drawings did seem to get through to a much larger public than I’d ever reached before, and it did seem to me an extraordinary and fascinating and unique moment in history.”

Henry Moore, 17 December 1961

Drawing by Henry Moore in black and white with yellow highlights, showing a tunnel lined with rows of people lying down or sleeping.
Henry Moore, 'Tube Shelter Perspective: The Liverpool Street Extension' 1941 (HMF 1801), pencil, wax crayon, coloured crayon, watercolour, wash, pen and ink. Photo: Michel Muller.

The exhibition draws on the Henry Moore Foundation’s collection of Shelter Drawings, the largest and one of the most important in the world, and places them within the context of Moore’s life and wider working practice. Presented at the heart of the artist’s former home and workplace in Hertfordshire (they were among the very first works he made there after moving from London), the display offers visitors a rare opportunity to encounter these works in the landscape where Moore lived and worked for over four decades. This is the first exhibition devoted entirely to this landmark series of works since Henry Moore: Shelter Drawings and Sculpture (Imperial War Museum, London, 1998), with nearly a third of the drawings being shown for the first time in 40 years.

The Shelter Drawings 1940-1941 launches a new programme of changing displays in the reimagined Sheep Field Barn, which has been redeveloped to provide improved gallery conditions alongside new learning and studio spaces. The renewed building reflects Moore’s lifelong commitment to education and will support an expanded programme of talks, tours, workshops and drop-in creative activity connected to the exhibition.

“The Shelter Drawings show Henry Moore responding directly to the tumultuous world around him, with extraordinary humanity and sensitivity. Moore moved to Perry Green during the Second World War, from where he could see London enduring the Blitz.

“Presenting these drawings in his redeveloped Sheep Field Barn creates a terrific context for reflection on this important group of works and establishes the barn as a re-imagined space for engaging exhibitions going forward. Opportunities to see the Shelter Drawings together are extremely rare, making this a particularly important moment for audiences and scholars alike.”

Godfrey Worsdale OBE, Director of Henry Moore Foundation

For further information and images please contact:

Emily Dodgson, Head of Marketing & Enterprise
Henry Moore Foundation
emily.dodgson@henry-moore.org

Alicia Lethbridge
Sam Talbot
alicia@sam-talbot.com

Flora Guildford
Sam Talbot
flora@sam-talbot.com

Matthew Brown
Sam Talbot
matthew@sam-talbot.com

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